I’m afraid I’m long overdue in updating this blog; there’s been so many changes in my life lately and it’s been a challenge finding time to sit down and actually post! Back in August I resigned from my 9-5 office job with the intent of pursuing my costume design career while also offering princess parties and appearances.. and then along came Sephora. Many years ago I freelanced as a makeup artist (and continue to do so when possible) and had an opportunity to join as a seasonal cast member, so I figured why not? I had the intent of balancing both sewing and makeup, but as often happens with life plans reality came along and pretty much laughed in my face. I had no idea just how busy the holiday season can be for a store like that and now that I’ve experienced it I realize that trying to pull off both had landed me in the same boat as I was in while at the office; trying to balance a regular job, freelance job, and still having some semblance of a life.
With that said I’ve loved the ~3 months I’ve spent at Sephora; it was a great opportunity to work with some lovely people and learn new things. It’ll all be coming to an end shortly, and in preparation for that I’m in the process of getting back to all things costume related including party appearances as Elsa. I’ve re-opened the Etsy shop, updated social media accounts and am now working on the blog!
The project I’ve most been waiting to post about is my masquerade group from this year that I mentioned a few months ago. We ended up with 7 total characters from Once Upon a Time: Killian Jones/Captain Hook, Emma Swan, Snow White, Prince Charming, Queen Regina, Queen Cora and Belle. It took 7 weeks of insanity (while balancing Sephora and trying to sew!) with plenty of bedazzling assistance from J & D, but together we pulled it off. In the interest of not writing 7 individual posts I’m just going to include some photos and explain a bit about each costume; should anyone be intending on replicating these feel free to ask for further detail and I’d be happy to explain.
Killian Jones was my best fabric find; after some serious online research I tracked down one of the fabric sources that Once Upon a Time uses and managed to acquire the exact same fabric (even the exact same bolt it came from) that the show used for Killian’s jacket from S03E22, Snow Drifts/There’s No Place Like Home. It’s a gorgeous embossed silk and was surprisingly easy to work with, just a challenge to press and steam without wrecking the pattern! My lovely husband was pleased to wear this outfit. The jacket was lined with a soft taupe cotton and French microtwill black facing and accents, with black grosgrain ribbon and more buttons than I ever again want to buy from Fabricland. I also whipped up a bright white sateen cotton shirt and coordinating French microtwill black vest as well; because I am determined, the vest itself was made entirely the morning of the masquerade. I am so beyond proud of his ensemble, the jacket is a particular point of pride for me partly due to fabric source and partly due to how it looks on the husband!
Since he’s in the above photo as well, we also had Prince Charming. I’m responsible for his shirt and tunic, the pants and boots were his own (and he insisted on cowboy boots to make it more ‘him’). His shirt was the same as Killian Jones’, but in a soft ivory cotton instead. The collar was a particular pain in the butt, as Charming’s is quite frayed. I sat with it for hours with a pin gradually unraveling the edges to keep it frayed without letting it fall apart. The tunic is a beautiful black faux leather with a natural grain, lined in red Kona cotton and trimmed with chocolate brown microsuede. The real tunic has perforated leather sleeves, which was a fabric I couldn’t find, so we went with a diamond quilted pattern instead.
The boys’ costumes were actually the easiest ones to put together, the ladies are the ones with all the insane amounts of detail. Regina nearly killed me; K chose her dress from S03E02, Lost Girl, and of course it was plastered in rhinestones, hand painted lace and feathers. I found the original fabric for this one as well, but at $30/yard with a 10 yard minimum order it was just way too pricey, especially when we only needed 7 yards. Instead I opted for a satin charmeuse that came in a black/fuschia print, which was then dyed piece by piece with iDye Poly in Crimson. There’s roughly 600 black rooster feathers and 2000+ rhinestones on this one (all individually attached), but it was a labour of love even though it took the longest. It’s two separate pieces, a big skirt with pockets and then the bodice, worn over a bum roll and a triple hoopskirt.
In keeping with the evil queens we also had Cora, Regina’s mother. Our Cora was less of an exact replica and more of an ‘inspired by’ type of deal. It’s actually what prompted the whole group masquerade idea; husband’s and my original plan was Red Death Phantom of the Opera and Christine (her movie masquerade gown) but the fabric I ordered did not look anything like it had on the website. In the hopes of actually getting some use out of it I suggested J join us for the masquerade, which led to an interpretation of Cora’s wedding gown from S02E18, The Miller’s Daughter. This is a duochrome taffeta and tulle mix with beaded bridal lace and more rhinestones than I really want to count. Tulle is an awful skirt choice when done in single layer, by the way.. especially when you’ll be walking around outside, hence the uneven hem as this was towards the end of the night when it got caught on stuff. The top is a proper steel boned corset (also worn over a much heavier steel undergarment corset) and the skirt is a gathered poofy concoction worn over a triple hoopskirt, also with pockets. I really like ballgowns with pockets. Our Cora is also best friend J who is usually behind the scenes manning my Nikon to take photos of Elsa and Anna!
And now the non-evil ladies! Belle was the original OUAT take on Belle’s classic yellow gown, the one she was seen in through seasons 1-3. My version was done with yellow satin and dyed brown satin, as well as brown beaded and heavily rhinestoned lace. The top was a proper steel boned corset as well, with the pleated skirt and pockets. Worn over a single hoop skirt and a small bum roll. Unfortunately Belle’s gown best shows how much my garment steamer failed me the day of the masquerade; while I’d pressed my seams during construction I didn’t iron the entire thing in the process as I’d planned to put the men to work steaming while us ladies handled the makeup and hair. Sadly the Rowenta upright steamer I’d purchased just for this occasion decided to spit water instead, and of course I was informed of this when I was in the process of dressing everyone and it was too late to bust out the ironing board. Therefore, please pardon the creases in the fabric. 😦
Snow White is the purple gown she’s most often pictured in (the one worn to Cinderella’s ball) from S01E04, The Price of Gold. It’s a beautiful lilac shantung two piece (sensing a theme here?) with a proper steel boned corset as the bodice, covered in hand painted lace and plenty of rhinestones. The skirt was pleated and also had pockets, and was worn with a bum roll over a triple hoopskirt. She didn’t take a single photo, but I do have one of her with Charming!
And last but not least, my own gown. This is Emma Swan’s fairytale princess dress from S03E21 & S03E22, Snow Drifts/There’s No Place Like Home. I hate to point this out, but in the rush to get everyone laced into their dresses and to the masquerade I forgot to throw my bum roll over my petticoat, so I won’t be posting photos of me standing. I do, however, have a lovely photo that one of the photographers suggested that is my favourite! My dress was 10 yards of satin, with a steel boned bodice worn over a fully steel boned undergarment corset, and a massive pleated skirt with pockets over a triple hoopskirt (and designed for the bum roll I forgot to put on!). The original dress from the show had bit of embellishment along the neckline but that was it; as anyone reading this blog knows I’m a huge fan of all things sparkly so of course I had to add more. The lace around the neckline was rhinestoned, but the hem is where it really stood out. It’s 9.7 yards around, and had scalloped lace sewn on the whole way. I then hand beaded that lace with Swarovski bicone beads and seed beads, and attached quite a few clear Swarovski crystals along with an insane amount of red crystals.
All 7 of these costumes were a TON of work, but they were an absolute pleasure to do and one hell of an experience. We had a lovely night at the masquerade, and we all looked amazing! Hopefully we’ll be able to visit the mainland in the spring to do a photoshoot in Steveston, where Once Upon a Time films their Storybrooke scenes.